نوع مقاله : مقاله علمی پژوهشی
نویسنده
استادیار، گروه زبان و ادبیات انگلیسی، واحد تهران شمال، دانشگاه آزاد اسلامی، تهران، ایران
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Jean Rhys' Wide Sargasso Sea (1966), one of the set texts of the postcolonial canon, has long been read through the cultural/ethnic as well as the feminist/modernist lens. Toppling such priorities via a predominantly psychoanalytic lens, the present study draws attention to how an overemphasis on cultural displacement and racial discrimination has very explicitly overshadowed the mother-daughter bond at the heart of the fictional world of Rhys' masterpiece. Drawing on André Green's theory of the dead mother complex and the mother-centered theoretical framework it invokes, the present article regards Antoinette and Rochester's star-crossed love/hate story of infatuation as a plot which gives representability to the rather unrepresentable maternal trauma around which Antoinette's life revolves. Through a Green-ian reassessment of the maternal absence/presence as the most pivotal substrate upon which the whole text is built, this study, thus, reevaluates the fractured Annette/Antoinette bond as the focal point around which the more (post-)colonial aspects of the novel simmer. It is only in the hitherto untapped space opened up by Green's concept of the dead mother leading to a reconsideration of the decisive role that the dysfunctional Annette plays in the trajectory of her daughter's life that Antoinette's relationship to the private/public world around her, her later entrapment within a loop of doomed relationships, her melancholically-inflected word-view, and her gradual descent into a mental space beyond normative sanity can be read as substitutive signifiers for a traumatism associated with an enigmatic maternal void whose haunting absence/presence is constantly-but-variably voiced throughout Wide Sargasso Sea.
کلیدواژهها [English]