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<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Critical Language and Literary Studies</JournalTitle>
				<Issn>20087330</Issn>
				<Volume>14</Volume>
				<Issue>18</Issue>
				<PubDate PubStatus="epublish">
					<Year>2017</Year>
					<Month>08</Month>
					<Day>23</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The performative Subjectivity  of Muslim Women  in the Diasporic Discourse of Leila Aboulela</ArticleTitle>
<VernacularTitle>The performative Subjectivity  of Muslim Women  in the Diasporic Discourse of Leila Aboulela</VernacularTitle>
			<FirstPage>59</FirstPage>
			<LastPage>85</LastPage>
			<ELocationID EIdType="pii">99991</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Ensiyeh</FirstName>
					<LastName>Darzinejad</LastName>
<Affiliation>PhD Student in  Islamic Azad University, Central Tehran  Branch</Affiliation>

</Author>
<Author>
					<FirstName>Leyla</FirstName>
					<LastName>Baradaran Jamili</LastName>
<Affiliation>Assistant Professor,  Boroujerd Azad University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2017</Year>
					<Month>01</Month>
					<Day>08</Day>
				</PubDate>
			</History>
		<Abstract>Leila Aboulala (1964 -) is a Sudanese-Egyptian Muslim novelist who lives in the Scottish diaspora. She is one of the emigrant Muslim women writers who try to initiate a new discourse in their literary works. In her diasporic discourse she challenges the depiction of the identity of Muslim women as innate, timeless, and static and represents the  subjectivity of her female protagonists as performative. In this respect the subjectivity of Muslim woman is a &quot;doing&quot; rather than a &quot;being&quot; and each step she takes makes her approach the Islamic subjectivity or deviate from it. The theories of William Safran, James Clifford, and Homi K. Bhabha  are consulted to delineate diaspora an its capacity for discourse formation. Judith Butler&#039;s performative theory is used to investigate the performativity of subjectivity of the Muslim women in Aboulela&#039;s novels. The performativity of language and cultural practices like sartorial practices, culinary preferences, and religious rituals are the pivotal points of this article.</Abstract>
			<OtherAbstract Language="FA">Leila Aboulala (1964 -) is a Sudanese-Egyptian Muslim novelist who lives in the Scottish diaspora. She is one of the emigrant Muslim women writers who try to initiate a new discourse in their literary works. In her diasporic discourse she challenges the depiction of the identity of Muslim women as innate, timeless, and static and represents the  subjectivity of her female protagonists as performative. In this respect the subjectivity of Muslim woman is a &quot;doing&quot; rather than a &quot;being&quot; and each step she takes makes her approach the Islamic subjectivity or deviate from it. The theories of William Safran, James Clifford, and Homi K. Bhabha  are consulted to delineate diaspora an its capacity for discourse formation. Judith Butler&#039;s performative theory is used to investigate the performativity of subjectivity of the Muslim women in Aboulela&#039;s novels. The performativity of language and cultural practices like sartorial practices, culinary preferences, and religious rituals are the pivotal points of this article.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Diaspora – Leila Aboulela – Discourse – Speech act theory – Performativity</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://clls.sbu.ac.ir/article_99991_08716ddaffb99ec9477c7ac2408d55e9.pdf</ArchiveCopySource>
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