Volume 20 (2023)
Volume 19 (2022)
Volume 18 (2021)
Volume 17 (2020)
Volume 16 (2019)
Volume 15 (2018)
Volume 14 (2018)
Volume 13 (2017)
Volume 12 (2016)
Volume 11 (2015)
Volume 10 (2015)
Volume 7 (2014)
Volume 6 (2013)
Volume 5 (2012)
Volume 4 (2012)
Volume 3 (2010)
Volume 2 (2009)
Volume 1 (2008)
Abjection, the Abject, and the Formation of Masculine Identity in Shakespeare’s Hamlet: A Kristevan Perspective

Rakhshandeh Nabizadeh-Nodehi; Shideh Ahmadzadeh Heravi

Volume 17, Issue 24 , June 2020, , Pages 307-326

https://doi.org/10.29252/clls.17.24.307

Abstract
  Abstract In Shakespeare’s portrayal of madness, mind and body are not considered as binary opposites; on the contrary, they appear to be closely intertwined. A number of the most memorable characters in Shakespeare’s dramatic works suffer from mental disorders. A study of these characters’ ...  Read More

نقش ایدئولوژی و نشان در روایت های وی اس نایپال در رمان خانه ای برای آقای بیسواس و در کشوری آزاد

Mohammad Sadegh Zarei

Volume 16, Issue 22 , March 2019, , Pages 59-76

https://doi.org/10.29252/clls.16.22.59

Abstract
  مقاله ی حاضر بر آن است تا با استفاده از نظریات لویی آلتوسر در تعریف "ایدئولوژی ساختاری" و همچنین نظریات ژاک دریدا در تبیین مفهوم "نشان" به بررسی ساختار روایت وی اس نایپل ...  Read More

Emergence of the Semiotic in the Symbolic Order: A Kristevan Reading of the Discourse of Madness in Three Major Shakespearean Tragedies

Rakhshandeh Nabizadeh-Nodehi; Sheedeh Ahmadzadeh-Heravi

Volume 15, Issue 20 , April 2018, , Pages 221-243

Abstract
  Madness and its manifestations have long been one of the themes treated and diversely depicted in literary works. Shakespeare is among the many authors who have represented this phenomenon in a number of his tragedies through the creation and introduction of a few complicated outstanding characters. ...  Read More

Deconstructive Discourse in Their Eyes were Watching God

Mohamad Reza Noorollahi; Sheedeh Ahmadzadeh

Volume 13, Issue 17 , October 2017, , Pages 269-289

Abstract
  The present article studies the deconstructive discourse in Their Eyes were Watching God byZora NealeHurston, the first African-American female writer. Studies on some major Black feminist novels reveal that these women make discourse work against their oppression. A significant feature of African-American ...  Read More